This movie is obscenely over rated. It is clear that ALL the attention was given to the production design and overall look to the film, as the script (no matter the 'version') is awful. For a film so raved about by nearly every critic, the plot is cookie cutter and drab. The pacing is, well, there simply isn't any pacing. It is S L O W. The characters are completely uninteresting and the film isn't deep or genuinely philosophical enough to warrant the attention it asks us to pay. There are many parts that are simply goofy and unintentionally funny, like when Rutger Hauer pops his head through the wall towards the end and says something silly, or when Darryl Hannah could have killed Deckard but instead decides to back up and then do a bunch of goofy gymnastics flips in order to give him time to pick up his gun and blow her "guts" out. It is one of my best friend's favorite films and it took a lot out of me to hold my tongue while watching it with him.
Blade Runner (1982) 720p YIFY Movie
Blade Runner (1982)
THIS IS THE "FINAL CUT" version Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker.
IMDB: 8.3174 Likes
The Synopsis for Blade Runner (1982) 720p
In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specialises in terminating replicants. Originally in retirement, he is forced to re-enter the force when six replicants escape from an offworld colony to Earth.
The Director and Players for Blade Runner (1982) 720p
The Reviews for Blade Runner (1982) 720p
good atmosphere/ production design, but everything else was weakReviewed byusernumber655321Vote: 6/10
What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.
Blade Runner is perhaps the worst film adaption of a novel ever made. To say that Blade Runner is an adaption of Phillip K Dick's inspiring novel "Do Androids Dream of Electric Sheep" is not only a lie, but it is an insult to both Phillip K. Dick and any movie that has been adapted to film with even a marginal degree of success. It is most generous and honest to say that Blade Runner is inspired by "Do Androids Dream of Electric Sheep?".
Blade Runner presents, at best, a surface-level representation of a select few of the novel's characters; these representations are devoid of the depth that made them captivating. Likewise, there are many great (and well-developed) characters who were excluded from the film.
The subplots, entire segments of the plot, the greater part of its ethos, and major aspects of the novel's theme are also expunged from this film. In short, the elements of the novel that have moral, narrative, effusive, or dramatic merit are conspicuously absent from this film.
Instead of being a narrative that re-affirms greater truths about humanity, Blade Runner exists only as a testament to sloppy adaptation by screenwriters who have such little respect for literature that they would cinematically re-hash a novel's spark notes.
I believe that, were the novel by which Blade Runner is inspired more widely read, society would recognize Blade Runner as the fecal insult to great literature that it is.